![]() Suspend food service or offer pre-boxed meals during breaks.Suspend food consumption or drinks inside classroom.Limit bathroom use to one or two people at a time to maintain social distancing.Disinfect common surfaces (doorknobs, bathroom fixtures, classroom tables, chairs, etc.) before class, once mid-morning, once mid-afternoon, and after students leave for the day.Training will be rescheduled or moved if the host site experiences an active COVID-19 case within the 2 weeks of class.Request students fill out pre-screening questions.Inform guests of specified entrances and exits visible for the use of classes.Direct employees to visit the CDC’s coughing/sneezing etiquette and clean hands webpage. ![]() ![]() Prohibit handshakes, encouraging other noncontact greetings.Require mask use and proper hand hygiene.Ensure that the check-in table provides a notice to:.Specify entrances and exits through signs or floor tape.Place posters in popular areas that encourage hand hygiene.Provide hand sanitation stations throughout training facility.Set up the chairs or workstations no less than 6 feet apart.Instructors are to remain at least 6 feet away from students.See the Disinfecting Your Facility guidance by the CDC. ![]()
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More specifically, the questionnaire collected data about the structural characteristics of the prisons and assessed the availability of different specific prevention measures. In order to estimate "environmental" infectious risk, an electronic/postal survey questionnaire focusing primarily on the availability of HIV-HCV preventive measures and HBV vaccination for prisoners was sent to the heads of medical units in all the prisons in all 5 countries (in 2009–2010 for France, in 2013–2014 for the other 4 countries). A previous survey in France was conducted between November 2009 and May 2010 and targeted all French prisons (170 prisons). The study’s secondary objective was to identify which particular characteristics of prison settings and penitentiary policies are correlated with non-adherence to WHO/UNODC recommendations.Ī nationwide survey targeting all prisons in each of the following 4 European countries was conducted between June 2013 and April 2014: Belgium (35 prisons), Austria (28 prisons), Denmark (50 prisons) and Italy (205 prisons). We also aimed to create a 5-country comparison, in order to include France, by creating a second adherence score. ![]() This measurement was achieved by computing an adherence score which was modified to take into account the latest international recommendations. The main objective of this international survey was to compare the levels of environmental infectious risk in prisoners between 4 different countries, by measuring to what extent prisons in these countries adhere to international recommendations for HIV prevention. Data on health policy implementation in general in the prison setting are sparse, and conducting research to explore related issues is difficult. For example, although France adopted the principle in 1994, the ANRS-PRI 2DE survey (2009–2010), which measured the level of adherence to national and WHO/UNODC guidelines, revealed a gap between the official recommendations and their application in French prisons. Despite being adopted in several countries, the principle of equivalence in health, including prevention, between the prison system and the general community is rarely implemented in reality. National strategies to control transmission risks should include prisons. The risk of prisoners transmitting disease is high as they are in constant contact with the general community through visitors, staff and because a considerable proportion of them can cycle in and out of prison. The burden of illnesses, particularly infectious diseases, is heavier in the prison population than in the general population, with high prevalences of HIV, HCV and tuberculosis, as well as higher rates of mental disorders, including drug/alcohol use disorders. Public health strategies should be adjusted to comply with the principle of equivalence of care and prevention with the general community. Using a score of adherence to WHO/UNODC recommendations, the estimated environmental infectious risk remains extremely high in the prisons of the 5 European countries assessed. Overall, the adherence score was inversely associated with prison overpopulation rates (p = 0.08). These results were confirmed when using the second score which included France in the inter-country comparison. Availability of prevention measures was low, with median adherence scores ranging from 3.5 to 4.5 at the national level. ResultsĪ majority of prisons answered in Austria (100 %), France (66 %) and Denmark (58 %), half in Belgium (50 %) and few in Italy (17 %), representing 100, 74, 89, 47 and 23 % coverage of the prison populations, respectively. A second score (0 to 9) was built to include data from a previous French survey, thereby creating a 5-country comparison. It ranged from 0 (no adherence) to 12 (full adherence). A score was built to compare adherence to WHO/UNODC recommendations (considered a proxy of environmental infectious risk) in those 4 countries. Methodsįollowing the methodology used in a previous French survey, a postal/electronic questionnaire was sent to all prisons in Austria, Belgium, Denmark and Italy to collect data on the availability of several recommended HIV-HCV prevention interventions and HBV vaccination for prisoners. The aim of this study was to estimate the level of infectious risk in the prisons of five different European countries by measuring to what extent the prison system adheres to WHO/UNODC recommendations. ![]() Prisoners constitute a high-risk population, particularly for infectious diseases. ![]() The centennial of the beginning of college education for women and of coeducation on the college level 1937. Users must make their own assessment of possible legal rights associated with this work in light of their intended use. The Library of Congress is unaware of, or has been unable to identify a copyright owner and/or information about any possible or likely copyright owner, and makes this item available as an exercise of fair use for educational, not-for-profit purposes only. 15th Century bookshow, at National Arts Club.The following items are included in Printed Ephemera: Three Centuries of Broadsides and Other Printed Ephemera, with permission as follows: Suggested credit line: Library of Congress, Rare Book and Special Collections Division, Printed Ephemera Collection. In some cases, the Library was unable to identify a possible rights holder and has elected to place some of those items online as an exercise of fair use for strictly non-commercial educational uses. Items included here with the permission of rights holders are listed below, and permission is noted in the catalog record for each item. In all cases, responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. Copyright information is provided with these specific items. A few items in this online presentation are subject to copyright and are made available here with permission of the copyright owners. ![]() There may be content that is protected as "works for hire" (copyright may be held by the party that commissioned the original work) and/or under the copyright or neighboring-rights laws of other nations. copyright protection (see Title 17, U.S.C.) or any other restrictions in the materials in the Printed Ephemera Collection. With a few exceptions, the Library is not aware of any U.S. The written permission of the copyright owners and/or other rights holders (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. The Library of Congress is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. ![]() Another significant change is that the convertible top was ditched, making the Jag a roadster. This year, however, we know that the original 272 horsepower 5.3-liter V12 was ditched in favor of a 525 horsepower 6.2-liter LS mated to a four-speed automatic transmission. And while the car was displayed at SEMA last year, we never got a peek under the hood because the team had yet to finish it up. ![]() However, if you’re like us and are not familiar with the factory car and its lines, it’s hard to tell.Īccording to, the build took over 2.5 years to build, and nothing was left untouched. After watching the video, Foose and his team changed just about the Jaguar. ![]() He’s able to take a car and build off the design, making subtle changes without getting away from the car’s core. The Foose rendition looked great at first glance, but we had no idea what modifications had been performed. The V8 exhales through a custom exhaust, so you might hear it before seeing it.While this 1974 Jaguar E-Type might look original to most people, it has many custom touches that might go unnoticed. There's no word on who commissioned this E-Type, but keep an eye out for it the next time you go to cars and coffee. It hopefully still has its original toolkit, as a factory-made reproduction costs nearly $1,000. Upgraded brakes and a redesigned suspension help keep the additional power in check, though performance numbers aren't available. It shifts through a four-speed automatic transmission. Tilting the hood forward reveals a Chevrolet-sourced, 6.2-liter V8 engine tuned to 525 horsepower replaces the 272-horsepower, 5.3-liter V12 this Jag came with when it was new. To us, the new-look interior has more of a 1950s vibe than the original E-Type's. His team installed new carpet and bucket seats after concealing a modern sound system. Redesigned headlights, taillights, grille, bonnet scoop, louvers. Foose's build adopts a cleaner, simpler design with gauges arranged in a cluster behind the steering wheel, and a chrome strip that runs across the entire dashboard. The FooseDesign Jaguar E-Type has been revealed at The SEMA Show. Jaguar's emblematic drop-top had a rather busy-looking dashboard topped with a padded cap and peppered with a galaxy of buttons, knobs, and switches. The interior looks period-correct thanks to leather upholstery, analog gauges, and a wood-rimmed steering wheel, but the list of changes is longer than the E-Type's hood. Custom-built wheels put a modern spin on the E's original wire knock-offs. While E-Type headlight bezels are readily available online, the ones on the SEMA car are hand-shaped from brass. Builders punched out a scoop in the hood, extended the rocker panels, made the trunk lid about five inches longer, and gave the rear end a more tapered look accented by flush lights and quad exhaust tips.Įven seemingly minor details were hugely important for the enthusiast who commissioned this build. Foose and his team modified nearly every part of the convertible's body. Many would drive it as-is, but its anonymous owner had something completely different in mind. With a custom design and an American heart, the roadster took over 2½ years to make.įinished in Green Sand, the E-Type was in seemingly good condition when it took up residence in Foose's shop in April 2017 it looks strikingly similar to a 48,000-mile example sold by RM Sothebys in January 2017. California-based designer Chip Foose traveled to the 2019 SEMA show to unveil a resto-modded 1974 Jaguar E-Type built at the request of a customer. Continued abuse of our services will cause your IP address to be blocked indefinitely. On hardcore difficulty, and for the best build, you want as much carrying capacity as you can get Perception 3: Ive never really found a use for perception in my. Not only does it affect your melee, but it allows you to carry a lot more weight in your inventory. Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms. Strength 10: Your strength is the first-most important skill at your disposal. 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This triggers our anti-spambot measures, which are designed to stop automated systems from flooding the site with traffic. Some unofficial phone apps appear to be using GameFAQs as a back-end, but they do not behave like a real web browser does.Using GameFAQs regularly with these browsers can cause temporary and even permanent IP blocks due to these additional requests. If you are using Maxthon or Brave as a browser, or have installed the Ghostery add-on, you should know that these programs send extra traffic to our servers for every page on the site that you browse.The most common causes of this issue are: ![]() Your IP address has been temporarily blocked due to a large number of HTTP requests. "Blown Away" is a string of firecrackers what they should have done is light the fuse and just step back.īlown Away is rated R for violence, language and intense action. Unfortunately, they aren't nearly as good at storytelling or characterization as they are at blowing stuff up. And while he's convincing and at times even moving as Dove, he is so outshined by Jones's high-candle brilliance that his character seems to disappear.ĭirector Hopkins (along with screenwriters Joe Batteer and John Rice) has gone to great lengths to give "Blown Away" the appearance of weight and relevance. Bridges is a great actor, but he's not stylish or flamboyant. The problem in any film with a villain as charismatic as this one is that, by comparison, the hero will seem stodgy and dull, and "Blown Away" is no exception. Like lethal Rube Goldberg creations, his bombs aren't merely meant to explode they're macabre jokes, designed with killer punch lines. ![]() Coming off his picture-stealing performance in "The Fugitive," Jones gives another one here, and while the drawled precision of his work in that earlier film was a master's lesson in concentrated restraint, his acting here is gloriously hammy and theatrical. On the plus side, Tommy Lee Jones plays this eccentric killer with such maniacal verve that believability becomes a minor matter. As it is, Gaerity just happens to catch a glimpse of his nemesis on the tube, and given the obsessiveness of his feelings the connection is too casually made to be believed. If the filmmakers had given some indication that Gaerity had come to Boston specifically to take his revenge on Dove, the movie might have had at least some hint of plausibility. Gaerity's return both sinks the film and saves it. The fact that Gaerity - who apparently popped through the hole in his cell and onto the streets of Boston - is behind the bombings isn't as much of a revelation as the nature of the mad bomber's connection with Dove. Someone is intentionally trying to kill off members of the bomb squad someone very brilliant and very, very sick. Under normal circumstances, Dove could easily turn the job over to Franklin (Forest Whitaker), but after the first explosion kills a member of the squad, he gets an uneasy feeling that his friend wasn't just in the wrong place at the wrong time. Just as Dove is on the verge of retiring to settle down with his new wife (Suzy Amis), someone starts planting bombs all over the city. But the violent flashbacks he experiences after every near miss indicate something else - perhaps a guilty conscience. The assumption is that Dove's an adrenaline junkie, hooked on the rush of nearly blowing himself to bits. While we wait, the film switches to Boston, where it focuses on the members of a bomb squad led by a nonchalant daredevil named Dove (Jeff Bridges), who appears to be a little too much in love with the life-and-death nature of his job. ![]() And the prospect of his return is about all that sustains us through the film's dragging early moments. With equal abruptness, Gaerity also disappears from the film - at least for a while. Striking like a scorpion, he murders his cellmate, retrieves part of a bomb he'd hidden in the man's guts, blows a hole in the wall of his cell and vanishes into the darkness. ![]() From his shaggy locks and the books on the shelf behind him, it looks as if he's been in prison for a long while - 20 years, we later discover - but he won't be there much longer. ![]() As it turns out, the building is a prison in Ireland, and the man sitting on his cot like a grenade waiting for its pin to be pulled is an IRA soldier named Gaerity (Tommy Lee Jones). "Blown Away," Stephen Hopkins's mostly passable new thriller, isn't quite as one-dimensional as its title implies, but just about.Īs the picture begins, the camera snakes down a dark shoreline through the drenching rain to a complex of jagged stones so brooding and Gothic that, you think, it has to be Castle Elsinore. The low end isn't going to just get lost along the way somewhere.Īre you 100% certain that you are comparing the exact same masters? A difference in mastering could cause tonal differences such as you are describing. That's how analog signals work, but not how digital signals work. What you won't hear is 'missing a fraction of low end'. If that happens, though, you would be likely to experience a dropout or a nasty digital click - something very obvious. Perhaps something doesn't quite make it over the thousands of miles of network cables the internet delivers the files at.Certainly it's possible that something doesn't make it over a network connection. Having a portable device hold your CD collection at this quality is fantastic, and a modern triumph we should all appreciate. Of course - you can't compare the ease for the consumer though. Qobuz is close to CD but missing a fraction of low end, which makes reverb tails and trebles slightly more obvious to me. Perhaps Tidal more but it can feel a bit 'enhanced' in the low mids and almost transient designer up top. All are high grade but none the less it still is relevant. the AES digital ports of either device or the analog XLR cable etc. Which is correct who knows? A difficiency in one method can easily be countered with a difficiency in the other's. Perhaps something doesn't quite make it over the thousands of miles of network cables the internet delivers the files at.Īlso Bluetooth is different to jack cable - personally I found the jack to be slightly truer to the CD than BT.ĬD AES is slightly different to Analog out. Perhaps it is the apparently lossless FLAC conversion that is used from the CD files. I wasn't expecting a difference due to the same bit depth and frequency but I found there was. I have to say I enjoy listening at this level of detail compared to the lossy formats that were the previous options for most streaming platforms. Lots of genres played too - including reference files I know extremely well. From my mastering studio monitoring chain (Barefoots/Prism/USB/Masterlink AES/Jack cables/Browser) to laptop with a couple of cheap earphones and earbuds, to iPhone over home Bluetooth speaker, and even the car CD player against USB and headphone jack inputs. This test has been going on for some time over a variety of systems and various connections. No Normalisation is on (just old school level matching -) ) and all settings have been made to only play at 16/44.1 and never downgrade over Wi-Fi etc. Both Tidal and Qobuz are their Hi-Fi packages meaning 16 bit 44.1kHz audio streaming (and downloading for offline content). ![]() See how to create a data table, get data into JMP, and use the Excel add-in and Excel Import Wizard. Tutorial on how to get JMP on your laptop! Getting Started With JMP 12 Basics Part 2 20.58 MB JMP Statistical Discovery JMP Pro 16 WINDOWS 6.82 MB Stacey Cofieldĭownloading and Installing JMP Windows 5.15 MB Stat 201 at UTK Downloading JMP from OnDrive 4.03 MB Stacey Cofield See how to easily create basic graphical summaries and analyses. Get a quick overview of the user interface. Learn the basics and start using JMP for data exploration and statistical analysis. Getting Started With JMP Part 1 20.99 MB JMP Statistical Discovery ![]() how to install SAS jmp statistical discovery pro 2020 in laptop 16.09 MB Mahend Kuwar JMP License Install 2.61 MB Stat 201 at UTKįinding the license file for JMP Pro. JMP License Renewal 3.34 MB Stat 201 at UTK Additional installation documentation is available at jmp.com/administrator Download JMP 4.14 MB Lauren Jordan This video is a guide for downloading the installation media for JMP 13 on Windows operating systems. JMP®: How to Use the SAS® Download Manager to Install JMP 12 Software 10.69 MB JMP Statistical Discoveryĭownload Mp3 Play Getting Started With JMP 12: Basic Statistics 33.74 MB JMP Statistical Discoveryĭownload Mp3 Play Installing JMP PC 4.05 MB Stat 201 at UTKĭownload Mp3 Play How to Use SAS Download Manager to Get JMP 13 for Windows 8.9 MB JMP Statistical Discovery ![]() ![]() How is this context any different than the one in Manhunt 2? In what context does killing orcs become OK? After orcs, it's evil emperors? Or better yet, you play a darkside character and now you're off killing peasants. From my experience with Manhunt 1, I'm inclined to trust and agree with them.Īs I mentioned, we're not attacking you but this "context" you speak of is a bit silly, is it not? Clearly the BBFC decided that Manhunt 2 has no artistic merit. Perhaps you can get technical and say that they ARE government because they have power, but my original point, and one I THOUGHT was quite obvious, was that the BBFC is not under the control of the British government, as currently represented by the Labour Party under Tony Blair/Gordon Brown.īecause as I stated the severity of the violence is not the only factor in deciding a rating. There are lots of organisations in this country with specific rights to do specific things which aren't organisations of the government. The Competition Commission isn't part of the government and yet it has the sole right to judge matters in its field. The Bank of England isn't part of the government, and yet it has the sole right to set interest rates. I can't decide if you really can't see the difference between government and non-governmental public services. The BBC can ban content? What exactly does the BBC decide that the laws then enforce? I can't decide if you're joking or not. Because that is an extremely slippery slope.īy the same token that the BBC is a publicly owned organisation, but not a government body? But otherwise, like I said before, society should not bend for the deviant. There are a very few specific exceptions for things like, yes, child porn and hate crimes. This is the line for books, for movies, for everything in art and culture. Normal, mentally healthy adults know the difference between fantasy and reality. Would it surprise you to hear that, yes, in fact I would protest such a thing? Even though I would find it extremely disturbing and would never go near it, myself? Would you protest the banning of a game that depicted graphic child sex abuse? There are things even adults aren't allowed to see or partake in, and to attack the premise of censorship you'd have to attack the laws against a hell of a lot of nasty things we have here. With password lockouts and everything.īecause it stops fucked up things getting to fucked up people?Ĭensorship has it's place in society, and I'm sure the British public would agree. No matter what you think of this - and I think its bullshit, personally society should never bend over for the deviants, as the expression goes - does the Wii not have parental controls built into the thing? Rockstar does have an opportunity to contest the ruling and the only other game the BBFC has banned, Carmeggedon, was overturned during this appeals process. That work was classified ‘18’ in 2003, before the BBFC’s recent games research had been undertaken, but was already at the very top end of what the Board judged to be acceptable at that category.Īgainst this background, the Board’s carefully considered view is that to issue a certificate to Manhunt 2, on either platform, would involve a range of unjustifiable harm risks, to both adults and minors, within the terms of the Video Recordings Act, and accordingly that its availability, even if statutorily confined to adults, would be unacceptable to the public. There is sustained and cumulative casual sadism in the way in which these killings are committed, and encouraged, in the game.Īlthough the difference should not be exaggerated the fact of the game’s unrelenting focus on stalking and brutal slaying and the sheer lack of alternative pleasures on offer to the gamer, together with the different overall narrative context, contribute towards differentiating this submission from the original Manhunt game. Manhunt 2 is distinguishable from recent high-end video games by its unremitting bleakness and callousness of tone in an overall game context which constantly encourages visceral killing with exceptionally little alleviation or distancing. In the case of Manhunt 2 this has not been possible. Where possible we try to consider cuts or, in the case of games, modifications which remove the material which contravenes the Board’s published Guidelines. Rejecting a work is a very serious action and one which we do not take lightly. ![]() We also loved just how easy it was to install, and the fact that it ships with extra push pins for stability. The polyester mesh is highly durable and tear-resistant and features holes small enough to keep bugs out of the home. The latter feature is great for parties or other scenarios in which foot traffic will be increased. This Augo Self-sealing Magnetic Screen Door offers supreme convenience, as it allows for both hands-free operation and the ability to always remain open, via a patent-pending clasp design.
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